Now this is more like it. This is the second biography I have read of the great mid-century comedian Danny Kaye, and this book really gives me a terrific overview of his life and character. I won’t mention the author of the other book I read last month, but will only say that this book delivers on the promise implicit in all these star bios – the promise of giving the reader an inside look at a star’s life, putting some rumors to rest, and sparking others about Kaye’s sexuality, relationships, talents and deep-seated neuroses.
Unlike the other biography, Gottfried’s story doesn’t end when Kaye’s film career does. Gottfried goes from talking about Kaye’s origins and climb to fame, to talking about how Kaye did on his television show, as well as what he did when he was off screen for good. This allowed me as a reader to hear about the man not only at the peak of his fame, but to watch his behavior as his fame ebbed, and that is a truly instructional glimpse, especially as Kaye was troubled by depression which seemed only to deepen with age.
This book looks at the relationship between the great British stage actor Laurence Olivier, and the author makes a call about whether he feels the relationship between Kaye and Olivier was sexual in nature. Gottfried likewise addresses some of the female companionship Kaye enjoyed late in his life, leaving no doubt about the nature of those relationships either. This is quite a relief, as the previous biography promised dirt on the star, but was unable to deliver anything but unsubstantiated rumor. Gottfried appears to have spoken to enough people and analyzed the situations with a clear head, making what seems like the best, most sensible judgment regarding the truth of those rumors.
As a result, this biography does not treat Kaye as an unreachable star, but as a human being with great and amazing talents, who was also given over to very ugly, very human emotions like anger, pride and fear. Gottfried shows the co-dependent relationship Kaye had with his wife Sylvia, but makes no excuses about his treatment of her in later years, or about how he treated other women he loved. Gottfried also takes an unflinching look at how Kaye behaved toward his daughter, and his friends and co-workers, which was not always stellar, but at the same brings out shows his humanitarian leanings and the great personal sacrifices he made for causes like Unicef and the USO.
While it is impossible ever to know another human being completely, in this biography, Gottfried comes very close to examining every aspect of the actor Danny Kaye, and left me feeling that I knew him deeply and well.
Submitted by Gerti

